So, little by little, you’ll find in Shakears a kind of sensory map of these places where music and artists remain more important than revenue!

On wednesday September 30th 2026 at 21h on YouTube Channel @shakearsmagazine : “Give Me 5” is back for the new school year! Episode 10 - 10 newcomers to the French and international music scene, across all genres. Five albums each released in 2026, debut albums or EPs for their artists.

In her new album, "These Killing Times", Emma Ruth Rundle draws on a wellspring of energy, channeling her anger to resist despair, as if caught between two opposing poles. It’s a masterful blend of anger and determination, a secret formula that only Emma Ruth Rundle knows, which she has just shared with the world as a call to action.

SHAKEARS Magazine needed a platform that could rise to the occasion, which you see before you in this new website. It features more editorial content

With a highly eclectic selection—ranging from formats (vinyl, CDs, DVDs, video games, etc.) as well as musical genres (from jazz to electronic music, including a (very nice) section dedicated to German hard rock and metal—of course), the shop is welcoming and brimming with hidden gems for enthusiasts, all at very affordable prices.

it took five years for us to hear It’s Been Awful, a title that’s by no means an exaggeration: On it, the rapper addresses addictions of all kinds and settles some scores, painting a wild portrait of his family and loved ones—a portrait that, on its own, explains his inability to produce music.

Across the Pond, more than ever, draws on the intimate repertoire of the Quebec-based band Ghostly Kisses—snapshots of life, moments of doubt, happiness, or insight—to be shared, like a vibrant, fragile, almost incantatory trace of the thousands of coincidences and intertwined choices that make up every moment of our lives.

Less experimental than its predecessor, the new album by the Swedish band Les Big Byrd, titled Ruin Everything, is a fireworks display of krautrock melodies that blend ’70s guitars with ’80s keyboards, all carried by spellbinding choruses that evoke both disillusionment and nostalgia, in both English and Swedish, giving the whole a lanky pop vibe.

what stands out in this new solo venture, titled Vox occulta, is Einar Solberg’s talent for rhythmic composition, which transforms these pieces into components of a soundtrack brimming with vocal and instrumental textures that cast a spell on you.